![]() Freeman’s performance is full of wit, comic timing and nervous energy (plus a new hint of aggression), while Artmitage is reliably grim-faced and unpredictable.Īlthough not without its moments of drama, The Desolation Of Smaug is best described as a pure action movie, with Jackson’s set-pieces positively leaping off the screen. With both characters compromised in some way by their own agendas – Bilbo’s now starting to feel the full, seductive effect of the ring he stole from Gollum in the first film, while Thorin is more grimly dedicated than ever to his recovery of the Arkenstone at any cost – the skills of their respective actors really begin to come into their own. Overwhelmingly, though, the film belongs to Martin Freeman and Richard Armitage as Bilbo and Thorin. Then there’s Lee Pace as the flamboyant Elvenking Thranduil, Luke Evans as a somewhat surly Bard, and Stephen Fry as a the lugubrious Master of Lake-town. A new addition created for the film, she’s a formidable presence in battle, and brings a frison of chemistry to her scenes with Aidan Turner’s Kili (“He’s quite tall for a dwarf, don’t you think?”, she coos). ![]() Returning characters like Orlando Bloom’s elegantly deadly Legolas and Sylvester McCoy’s eccentric Radagast the Brown are joined by Lost’s Evangeline Lilly, who appears as brave Elf warrior Tauriel. A vast subterranean cathedral, with its grey light and colossal hanging tapestries, is a genuinely eerie sight.Īgainst these landscapes, Jackson’s gallery of characters continues to grow. An ancient town resting on a lake, all dilapidated medieval houses and rickety walkways, has the mucky charm of a Hogarth engraving. Peter Jackson is surely one of the finest world builders currently working in cinema, and he packs every frame with detail and texture.
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